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from sincere emotions to divine meaning

Translates Classical Chinese Dance Movements From Sincere Emotions to Divine Meaning (Artist Interview)

As a young child in Taiwan, Hsiao-Hung Lin, Shen Yun Principal Dancer, dreamed of fairies dancing in the clouds.  In 2008, she moved to New York  where she worked hard at her dancing career to see her dream from childhood become her reality.

She has become world renowned from her touring over 1000 destinations.

In The Charming Ladies of the Yi, a program from the 2019 Shen Yun world tour, Lin takes the lead as the Yi ladies toss their wide skirts into a sea of colours. © Shen Yun Performing Arts
Lin takes the lead as the Yi ladies toss their wide skirts into a sea of colours. © Shen Yun Performing Arts

Classical Chinese dance is  a dance from the inside out, first from the heart, then following with physical moves,” Lin says. “So when dancers perform onstage with sincerity, its expressiveness and appeal will be strong, breaking any barrier between nationality and culture. “

Her understanding of the character’s inner goodness and her sincere emotional connection to the character, enables Lin to authentically express a wide emotional range, portraying her character’s hope and despair.

TRADITIONAL CHINESE ARTS, PERFORMING ARTS - ,Magnifissance  ISSUE 098
TRADITIONAL CHINESE ARTS, PERFORMING ARTS -,Magnifissance ISSUE 098 © Shen Yun Performing Arts

This is her story of becoming a success even through the life of a young girl in Taiwan losing her sight to become a dancer!

Key Takeaways:

  • A young girl had a dream to be a dancer and now she has done over 1,000 shows.
  • Lin trained very hard emotionally and physically though out her career
  • Lin has also won many competitions like the New Tang Dynasty Dance Competition multiple years in a row.
Shen Yun principal dancer Hsiao-Hung Lin embraces new challenges in her life with grace
Shen Yun principal dancer Hsiao-Hung Lin embraces new challenges in her life with grace. Photographer by Laure Fu / Dress by Gül Hürgel

“When the girl was released from the labor camp, she was already blind,” Lin says. “I was blindfolded and couldn’t see anything onstage. When I fumbled forward and met someone, I was so scared that I tried to escape. But it was actually my mother who came to pick me up.”

Read more: https://magnifissance.com/issue-098/hsiao-hung-lin-shen-yun-principal-dancer/

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